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Book Discussion Group: Fates and Furies

Find out what the group is currently reading, when the next meeting will take place, and what previous books have been read.

About the Author

Lauren Groff is the author of the novel The Monsters of Templeton, shortlisted for the Orange Prize for New Writers, Delicate Edible Birds, a collection of stories, and Arcadia, a New York Times Notable Book, winner of the Medici Book Club Prize, and finalist for the L.A. Times Book Award.
 Her work has appeared in journals including the New Yorker, the Atlantic Monthly, Harper’s, Tin House, One Story, McSweeney’s, and Ploughshares, and in the anthologies 100 Years of the Best American Short Stories, The Pushcart Prize: Best of the Small Presses, PEN/O. Henry Prize Stories, and three editions of the Best American Short Stories.

She lives in Gainesville, Florida with her husband and two sons.

About the Book

 

An absorbing story of a modern marriage framed in Greek mythology.

 

Groff’s sharply drawn portrait of a marriage begins on a cold Maine beach, with newlyweds “on their knees, now, though the sand was rough and hurt. It didn’t matter. They were reduced to mouths and hands.” This opener ushers in an ambitious, knowing novel besotted with sex—in a kaleidoscope of variety—much more abundant than the commune-dwellers got up to in Groff’s luminous Arcadia (2012). The story centers first on Lancelot “Lotto” Satterwhite, a dashing actor at Vassar, who marries his classmate, flounders, then becomes a famous playwright. Lotto’s name evokes the lottery—and the Fates, as his half of the book is titled. His wife, the imperial and striking Mathilde, takes over the second section, Furies, astir with grief and revenge. The plotting is exquisite, and the sentences hum; Groff writes with a pleasurable, bantering vividness. Her book is smart, albeit with an occasional vibrato of overkill. The author gives this novel a harder edge and darker glow than previous work, echoing Mathilde’s observation, “She was so tired of the old way of telling stories, all those too worn narrative paths, the familiar plot thickets, the fat social novels. She needed something messier, something sharper, something like a bomb going off.” Indeed it is.

An intricate plot, perfect title, and a harrowing look at the tie that binds.

 

Review Posted Online:
Kirkus Reviews Issue: July 15th, 2015

Check the Reviews

2015 National Book Award Finalist

Check Lauren Goff's Website